Thursday—January 25, 2018—5:30 PM
As programming for our current exhibition The Experimental Self: Edvard Munch’s Photography continues, Professor Linda Rugg of UC Berkeley will be presenting a lecture on the relationship between Edvard Munch and August Strindberg, and the relationship of both artists to photographic self-portraiture.
In the fall of 1892, Edvard Munch and August Strindberg met for the first time. They encountered each other in Berlin, and struck up an artistic alliance with the aim of launching what Strindberg called “the Scandinavian Renaissance.” Both men were engaged with a form of Modernism that worked on a new aesthetics, intended to depict the inner emotions and unconscious drives of human beings. To that end, they used themselves as experimental objects, writing autobiographies and fictional journals, creating self-portraits in photography and in paint. At moments, they breach the boundary between self and other.
This talk will look at the texts and images created by the two men with an eye toward uncovering how a new form of self-fashioning emerges in the tension between the two artists.
The gallery hours will be extended for viewing before and after the discussion.
About Linda Rugg
Linda Rugg is a professor of Swedish Literature at University of California, Berkeley. Her research has long focused on issues related to self-construction and self-representation, particularly in textual autobiography and visual media. Authorship is another strong allied research interest, with special attention to the authorships and authorial personae of August Strindberg, Mark Twain, Ingmar Bergman, and a range of art cinema directors who perform as authors. In addition to her interest in autobiographical studies, Rugg has drawn inspiration for her research from two of the courses she teaches: “Ecology and Culture in Scandinavia” and “Hyperwhite: Policing the Boundaries of Whiteness in American Literature and Film.” The ecology course led to an exploration of the Scandinavian ecological subject in literature, art, and film, while the hyperwhite course (based originally on American culture) developed into a study of whiteness and race as represented in Nordic literature, film, and visual arts. She is working on articles and book projects in both of these fields.
Rugg has been active as a translator of critical essays and literature from both Swedish and German into English. She enjoys lecturing and teaching in the broader community, both in individual presentations at diverse venues and through the Osher Lifelong Learning Institute at the University. She has served as a consultant on the Environmental Humanities to Sweden’s Foundation for Strategic Environmental Research (MISTRA). For five years she acted as a member of the Modern Language Association’s Executive Division Committee for Autobiography, Biography, and Life-Writing, and she has also served as a member of the Executive Board for the Society for the Advancement of Scandinavian Study. She is on the editorial board for Samlaren: Tidskrift för forskning om svensk och annan nordisk litteratur (Journal for the Study of Swedish and Other Nordic Literature.” She is a co-editor with colleague Professor Sanders for the third volume of the ICLA project, A Comparative History of Nordic Literary Cultures.
Self-Projection: The Director’s Image in Art Cinema, Minneapolis: University of Minnesota Press, 2014.
Picturing Ourselves: Photography and Autobiography (1997) University of Chicago Press. 286 pages, 38 illustrations.