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SUMMARY:Edvard Munch's Photography: The Experimental Self
DESCRIPTION:The Experimental Self: Edvard Munch’s Photography\, an exhibition organized by American-Scandinavian Foundation with The Munch Museum in Oslo that first brought the photographic work of the master painter to NYC in 2017/18 before traveling worldwide\, returns to Scandinavia House this winter with a newly conceived design and a section including vintage camera equipment alongside the release of the 2020 illustrated book The Experimental Self: The Photography of Edvard Munch\, awarded with diploma as one of The Year’s Most Beautiful Books\, 2021 by Grafill\, Norway’s National Organization for Visual Communication. \nInternationally celebrated for his paintings\, prints\, and watercolors\, Norwegian artist Edvard Munch (1863–1944) also took photographs. In 2017/18\, the exhibition The Experimental Self: Edvard Munch’s Photography at Scandinavia House drew widespread acclaim for introducing audiences to his photographic and film work\, emphasizing the artist’s experimentalism and examining his exploration of the camera as an expressive medium. This exhibition includes Munch’s experimental portraiture of friends and family as well as his self-portraiture\, including images from what he termed his “Fatal Destiny” portfolio\, staged between 1902 and 1908. By probing and exploiting the dynamics of “faulty” practice\, such as distortion\, blurred motion\, eccentric camera angles\, and other photographic “mistakes\,” Munch photographed himself and his immediate environment in ways that rendered them poetic. In both still images and in his few forays with a hand-held moving-picture camera\, Munch not only archived images\, but invented them. As a recent Financial Times Magazine review of the works states\, “Munch’s mercurial snapshots trace the survival of an artist obsessed with loss… his photographs remain tantalisingly opaque a century on.” \nHaving since traveled to eight venues worldwide\, including Seattle\, Oslo\, Stockholm\, Fredrikssund (Denmark)\, and Bergen\, the exhibition will be returning to Scandinavia House beginning December 10 in a new iteration\, including photographic enlargements and a display of the amateur camera models similar to those he used in his work. The exhibition will also feature a “selfie station” for visitors to interact with Edvard Munch’s experimental self-portraiture\, as well as the opportunity to browse the new publication\, which includes 120 fully illustrated pages alongside essays by curator Patricia G. Berman\, Tom Gunning and MaryClaire Pappas\, available for purchase in the Shop. On loan from the Munch Museum in Oslo\, Norway\, the approximately 50 copy prints in the exhibition and a continuous projection of Munch’s films will be accompanied by contextualizing didactic panels as well as a video presentation. It has been organized by the American-Scandinavian Foundation in partnership with The Munch Museum in Oslo\, Norway. It has been supported by the Inger and William Ginsberg Support Fund.
URL:https://www.scandinaviahouse.org/event/edvard-munchs-photography-the-experimental-self-2/
LOCATION:Scandinavia House\, 58 Park Avenue\, New York\, NY\, 10016\, United States
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DTSTART;TZID=America/New_York:20220304T190000
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SUMMARY:Calendar Girl
DESCRIPTION:On March 4\, see the World Premiere of Calendar Girl\, a new documentary about Fashion Calendar founder Ruth Finley from Danish director Christian D. Bruun\, at Scandinavia House! Following the screening\, the director will present a film Q&A. \nIn this quintessential New York story\, Christian Bruun looks at the 70-year history of the influential Fashion Calendar\, with its iconic pink pages laid out every fashion event in NYC including New York Fashion Week. Behind it was founder Ruth Finley\, until in 2014 she retired at age 95 and sold the Fashion Calendar to the Council of Fashion Designers of America. The documentary examines this momentous transition\, and reflects on the life\, work\, and legacy of this trailblazer and the industry Ruth helped create. This is the story of a woman who in the 1940s carved out a place for herself in a man’s world and developed a reputation characterized by tenacity\, perseverance\, fairness\, humanity\, diplomacy\, and decency. She influenced the inner workings of New York fashion\, she celebrated and was celebrated by both the industry’s powerhouses and rising stars\, and she survived its many incarnations. (USA\, 2022; 91 min. In English.) \nTickets to this event must be reserved in advance online at the link above; limited seating only. Film screenings will take place in Victor Borge Hall. \nAll attendees are required to present proof of vaccination upon arrival in compliance with New York State government; read more here. Attendees are required to follow all Scandinavia House safety protocols\, including wearing masks during the program and observing social distancing rules in signage. Please read our full safety protocols here. \n“All of us designers have an emotional connection with Ruth Finley because we all remember when we listed ourselves for the first time in the Fashion Calendar”—Diane von Furstenberg\n“Ruth is the woman who has held the fashion flock together\, and by association\, brought the industry together”—Donna Karan \n \nAbout the Director\nChristian D. Bruun is a director\, producer\, and cinematographer of documentary and narrative film and television. His films have had international theatrical and television distribution and been in official selection at Sundance\, Tribeca\, Berlin\, Locarno\, IDFA\, and Hot Docs festivals. In addition to directing Calendar Girl\, Christian recently produced civil rights drama Son of the South (to be released November 2020\, produced by Spike Lee\, directed by Barry Alexander Brown\, starring Brian Dennehy). Christian is developing a narrative film Candy about transgender Andy Warhol muse Candy Darling and directing documentary film about contemporary art gallerist Marian Goodman. \nHe recently completed The Burning Child and award-winning documentaries Please Hold the Line\, Secondo Me\, and The Road Movie\, winner of British National Film & TV Awards. Christian produced The Man Who Saved the World\, winner of the Danish Film Academy Awards and the Danish Film Critics Awards for best documentary film. He directed\, produced\, wrote\, and shot Blue Gold: American Jeans\, acquired by Netflix.
URL:https://www.scandinaviahouse.org/event/calendar-girl/
LOCATION:NY
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