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DTSTART;TZID=America/New_York:20221021T120000
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UID:10002735-1666353600-1674928800@www.scandinaviahouse.org
SUMMARY:On the Arctic Edge — Artists Explore the Far North
DESCRIPTION:Opening October 21 at Scandinavia House\, On the Arctic Edge — Artists Explore the Far North presents three contemporary photo-based artists whose work traverses the regions of the Arctic Circle to probe themes ranging from time and memory\, to landscape and the built environment\, to science and mythology\, to our changing climate: Marion Belanger\, Clare Benson\, and Steve Giovinco. Each artist is an ASF Fellow having received financial support from the American-Scandinavian Foundation from funds donated by Scandinavian Seminar \nPhotographer and Interdisciplinary artist Clare Benson’s series Until There Is No Sun is a poetic investigation of the Arctic’s duality: the relationships between light and seeing\, earth and sky\, science and ancient myth. Over the span of nearly a year living in the far north of Arctic Sweden\, Benson worked alongside space physicists\, Sami indigenous reindeer herders\, and scientist studying the eyes of Arctic reindeer to capture photographs\, videos\, and collected artifacts\, exploring how weather and time have worn and carved a world that slowly turns its back to the light. Included in the exhibition\, the video work A Thousand Suns is a time-lapse capture of images made by an All-Sky Camera looking up through the roof of the Swedish Institute for Space Physics (IRF) in Kiruna. Photographs on view include her Seasonal Adaptations in the Eyes of Arctic Reindeer\, which portray how Arctic reindeer adapt to extreme changes in sunlight through a shift in their tapetum lucidum\, a mirror-like tissue behind the retina.  \nMarion Belanger photographs the cultural landscape\, particularly where geology and the built environment intersect\, exploring concepts of persistence and change and ways that boundaries demarcate differences. A recipient of awards including a John Simon Guggenheim Fellowship\, whose photographs are included in many permanent collections including the Library of Congress\, her series Rift/Fault studies shifting land-based tectonic edges of the North American Continental Plate in Iceland and California.  \nExamining their unpredictable and uncontainable behavior — immune to any human efforts of control — Belanger’s series pairs images from the Mid-Atlantic Rift in Iceland with those captured along the San Andreas Fault\, allowing for a dialogue between the wild and the contained\, the fertile and the barren\, the geologic and the human\, in a way that questions the uneasy relationship between geological force\, and the limits of human enterprise. Published in the 2017 monograph Rift/Fault (Radius Books)\, author and art critic Lucy Lippard writes in her introduction that Belanger “comments on the visible and the invisible\, acknowledgement and denial\, examining\, in the process\, the ‘dangerous disconnect\,’ where so-called ordinary lives play out in the shadows of potential cataclysm.” \nNYC-based fine-art photographer Steve Giovinco’s lyrical night landscapes in the recent series Inertia look at the land\, ice\, and communities of Southern Greenland. An MFA graduate from Yale University School of Art whose work is collected by museums including the Museum of Fine Arts\, Houston\, Giovinco traveled to locations including Narsarsuaq\, a small remote town lying in the shadow of glaciers\, to capture vast scarred landscapes; shrinking icebergs and ice floes; desolate villages; and four hundred-year-old Norse ruins; all marked with minimal traces of human intervention. Photographed through the hours of changing light at dawn\, twilight\, or nighttime the vistas are haunted\, luminous\, magical and at times devastating. \nEach artist is an ASF Fellow having received financial support from the American-Scandinavian Foundation\, which since it began over a century ago has awarded over 5\,500 fellowships and grants to Americans and Scandinavians. This exhibition is made possible due to the generosity of the Inger G. & William B. Ginsberg Support Fund\, the Virginia Barron Tayloe Bequest\, the Bonnier Family Fund for Contemporary Art and the Barbro Osher Pro Suecia Foundation. \nAbout the Artists\nClare Benson is a photographer and interdisciplinary artist whose work explores themes of family history\, tradition\, science\, and mythology. She received her MFA from the University of Arizona and her BFA from Central Michigan University. In 2014-15 she was the recipient of a Fulbright Fellowship to Arctic Sweden\, where she worked alongside space scientists and indigenous Sami reindeer herders. Her first book The Shepherd’s Daughter was published in 2017 by Photolucida\, in receipt of the Critical Mass Book Award. Benson’s work has been featured in exhibitions\, screenings\, and publications across the U.S. and internationally. \nMarion Belanger is interested in the concepts of persistence and change\, and in the way that boundaries demarcate difference\, particularly in regards to the land. She has been the recipient of a John Simon Guggenheim Fellowship\, a John Anson Kittredge Award\, an American Scandinavian Fellowship\, Connecticut Commission on the Arts Fellowships\, and has been an artist in residence at the MacDowell Colony\, at the Atlantic Center for the Arts\, at the Virginia Center for the Arts and at Everglades National Park. \nMarion Belanger earned her MFA from the Yale University School of Art where she was the recipient of both the John Ferguson Weir Award and the Schickle-Collingwood Prize\, and a BFA from the College of Art & Design at Alfred University. Her photographs are included in many permanent collections including the Library of Congress\, the National Gallery of Art\, the Yale University Gallery of Art\, the New Orleans Museum of Art and the International Center of Photography. \nSteve Giovinco is a New York City-based fine-art photographer\, who focuses on creating images of couples with himself and lyrical night landscapes. His work is collected by many museums\, including the Museum of Fine Arts\, Houston\, has exhibited widely in galleries and received his MFA from Yale University School of Art. His new photo series Inertia looks at the land\, ice and communities in Southern Greenland including the tiny remote town Narsarsuaq\, population 158\, which lies in the shadow of glaciers. \n  \nThis exhibition is made possible due to the generosity of the Inger G. & William B. Ginsberg Support Fund\, the Virginia Barron Tayloe Bequest\, the Bonnier Family Fund for Contemporary Art and the Barbro Osher Pro Suecia Foundation.
URL:https://www.scandinaviahouse.org/event/on-the-arctic-edge-artists-explore-the-far-north/
LOCATION:NY
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DTSTART;TZID=America/New_York:20221210T080000
DTEND;TZID=America/New_York:20221211T220000
DTSTAMP:20260611T142728
CREATED:20221130T173929Z
LAST-MODIFIED:20221130T173929Z
UID:10002756-1670659200-1670796000@www.scandinaviahouse.org
SUMMARY:Holiday Julbord
DESCRIPTION:Join us at Scandinavia House on December 10 & 11 for a Holiday Julbord (Christmas Table) presented by Björk Cafe & Bistro! A traditional Christmas in Scandinavia is not complete without the traditional julbord\, a holiday variation of the quintessential Smörgåsbord buffet-style meal in the Scandinavian countries that includes multiple staples of Swedish cuisine served on the table. The actual Christmas season in Sweden usually begins with the St. Lucia ceremony\, around the 13th of December\, and leads all the way to Christmas day. \nThe Björk Julbord will feature a long buffet table overloaded with the Scandinavian classics such as herring\, gravlax\, meatballs\, Jansson’s temptations and more; each lunch and dinner seating will be accompanied by a traditional St. Lucia performance. One cup of glögg is included and will be served upon arrival\, with additional non-alcoholic and alcoholic drinks available for purchase. The Holiday Julbord will continue again at Scandinavia House on Friday\, December 23. \nSpace is limited\, so purchase tickets to reserve your table right away! \nSeating times: \nSaturday\, December 10\nLunch Seating: 2 PM\nEarly Dinner Seating: 5 PM\nDinner Seating: 7:30 PM \nSunday\, December 11\nLunch Seating: 1 PM\nEarly Dinner Seating: 3:30 PM\nDinner Seating: 6 PM \nPrices\nAdult $95 ($80.75 ASF Members)\nChild 10-14 $40 ($34 ASF Members)\nChild up to 10 $25 ($21.25 ASF Members)
URL:https://www.scandinaviahouse.org/event/holiday-julbord/
LOCATION:NY
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DTSTART;TZID=America/New_York:20221210T190000
DTEND;TZID=America/New_York:20221210T210000
DTSTAMP:20260611T142728
CREATED:20221108T174436Z
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UID:10002755-1670698800-1670706000@www.scandinaviahouse.org
SUMMARY:Holy Spider
DESCRIPTION:The Nordic & Baltic Oscar Contenders series at Scandinavia House returns this season with screenings of films chosen by the Nordic & Baltic countries to compete for the Oscar nomination for the Best International Feature Film! On December 10\, see Denmark’s official nomination for the 95th Academy Awards\, Holy Spider (dir. Ali Abbasi\, Denmark/Germany/Sweden/France\, 2022); today’s screening is open to ASF Members\,  Academy Members and guest. \nFemale journalist Rahimi (Zar Amir Ebrahimi) travels to the Iranian holy city of Mashhad to investigate a serial killer who believes he is doing the work of God\, cleansing the streets of sinners by murdering sex workers. As the body count mounts\, and Rahimi draws closer to exposing his crimes\, the opportunity for justice grows harder to attain as the ‘Spider Killer’ is embraced by many as a hero. Based on the horrific true story of serial killer Saeed Hanaei\, acclaimed writer-director Ali Abbasi (Border) unveils a gripping crime thriller\, and a daring indictment of a society in which rough justice is routinely a fact of life. \n“A crisp\, engrossing\, and disturbing crime thriller”—The Observer \n“Powerful and precise\, commendably lacking the sensationalistic tone of some serial killer movies”—RogerEbert.com \nThis screening will take place in-person at Scandinavia House in Victor Borge Hall.
URL:https://www.scandinaviahouse.org/event/holy-spider/
LOCATION:NY
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