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DTSTART;TZID=America/New_York:20221021T120000
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UID:10002735-1666353600-1674928800@www.scandinaviahouse.org
SUMMARY:On the Arctic Edge — Artists Explore the Far North
DESCRIPTION:Opening October 21 at Scandinavia House\, On the Arctic Edge — Artists Explore the Far North presents three contemporary photo-based artists whose work traverses the regions of the Arctic Circle to probe themes ranging from time and memory\, to landscape and the built environment\, to science and mythology\, to our changing climate: Marion Belanger\, Clare Benson\, and Steve Giovinco. Each artist is an ASF Fellow having received financial support from the American-Scandinavian Foundation from funds donated by Scandinavian Seminar \nPhotographer and Interdisciplinary artist Clare Benson’s series Until There Is No Sun is a poetic investigation of the Arctic’s duality: the relationships between light and seeing\, earth and sky\, science and ancient myth. Over the span of nearly a year living in the far north of Arctic Sweden\, Benson worked alongside space physicists\, Sami indigenous reindeer herders\, and scientist studying the eyes of Arctic reindeer to capture photographs\, videos\, and collected artifacts\, exploring how weather and time have worn and carved a world that slowly turns its back to the light. Included in the exhibition\, the video work A Thousand Suns is a time-lapse capture of images made by an All-Sky Camera looking up through the roof of the Swedish Institute for Space Physics (IRF) in Kiruna. Photographs on view include her Seasonal Adaptations in the Eyes of Arctic Reindeer\, which portray how Arctic reindeer adapt to extreme changes in sunlight through a shift in their tapetum lucidum\, a mirror-like tissue behind the retina.  \nMarion Belanger photographs the cultural landscape\, particularly where geology and the built environment intersect\, exploring concepts of persistence and change and ways that boundaries demarcate differences. A recipient of awards including a John Simon Guggenheim Fellowship\, whose photographs are included in many permanent collections including the Library of Congress\, her series Rift/Fault studies shifting land-based tectonic edges of the North American Continental Plate in Iceland and California.  \nExamining their unpredictable and uncontainable behavior — immune to any human efforts of control — Belanger’s series pairs images from the Mid-Atlantic Rift in Iceland with those captured along the San Andreas Fault\, allowing for a dialogue between the wild and the contained\, the fertile and the barren\, the geologic and the human\, in a way that questions the uneasy relationship between geological force\, and the limits of human enterprise. Published in the 2017 monograph Rift/Fault (Radius Books)\, author and art critic Lucy Lippard writes in her introduction that Belanger “comments on the visible and the invisible\, acknowledgement and denial\, examining\, in the process\, the ‘dangerous disconnect\,’ where so-called ordinary lives play out in the shadows of potential cataclysm.” \nNYC-based fine-art photographer Steve Giovinco’s lyrical night landscapes in the recent series Inertia look at the land\, ice\, and communities of Southern Greenland. An MFA graduate from Yale University School of Art whose work is collected by museums including the Museum of Fine Arts\, Houston\, Giovinco traveled to locations including Narsarsuaq\, a small remote town lying in the shadow of glaciers\, to capture vast scarred landscapes; shrinking icebergs and ice floes; desolate villages; and four hundred-year-old Norse ruins; all marked with minimal traces of human intervention. Photographed through the hours of changing light at dawn\, twilight\, or nighttime the vistas are haunted\, luminous\, magical and at times devastating. \nEach artist is an ASF Fellow having received financial support from the American-Scandinavian Foundation\, which since it began over a century ago has awarded over 5\,500 fellowships and grants to Americans and Scandinavians. This exhibition is made possible due to the generosity of the Inger G. & William B. Ginsberg Support Fund\, the Virginia Barron Tayloe Bequest\, the Bonnier Family Fund for Contemporary Art and the Barbro Osher Pro Suecia Foundation. \nAbout the Artists\nClare Benson is a photographer and interdisciplinary artist whose work explores themes of family history\, tradition\, science\, and mythology. She received her MFA from the University of Arizona and her BFA from Central Michigan University. In 2014-15 she was the recipient of a Fulbright Fellowship to Arctic Sweden\, where she worked alongside space scientists and indigenous Sami reindeer herders. Her first book The Shepherd’s Daughter was published in 2017 by Photolucida\, in receipt of the Critical Mass Book Award. Benson’s work has been featured in exhibitions\, screenings\, and publications across the U.S. and internationally. \nMarion Belanger is interested in the concepts of persistence and change\, and in the way that boundaries demarcate difference\, particularly in regards to the land. She has been the recipient of a John Simon Guggenheim Fellowship\, a John Anson Kittredge Award\, an American Scandinavian Fellowship\, Connecticut Commission on the Arts Fellowships\, and has been an artist in residence at the MacDowell Colony\, at the Atlantic Center for the Arts\, at the Virginia Center for the Arts and at Everglades National Park. \nMarion Belanger earned her MFA from the Yale University School of Art where she was the recipient of both the John Ferguson Weir Award and the Schickle-Collingwood Prize\, and a BFA from the College of Art & Design at Alfred University. Her photographs are included in many permanent collections including the Library of Congress\, the National Gallery of Art\, the Yale University Gallery of Art\, the New Orleans Museum of Art and the International Center of Photography. \nSteve Giovinco is a New York City-based fine-art photographer\, who focuses on creating images of couples with himself and lyrical night landscapes. His work is collected by many museums\, including the Museum of Fine Arts\, Houston\, has exhibited widely in galleries and received his MFA from Yale University School of Art. His new photo series Inertia looks at the land\, ice and communities in Southern Greenland including the tiny remote town Narsarsuaq\, population 158\, which lies in the shadow of glaciers. \n  \nThis exhibition is made possible due to the generosity of the Inger G. & William B. Ginsberg Support Fund\, the Virginia Barron Tayloe Bequest\, the Bonnier Family Fund for Contemporary Art and the Barbro Osher Pro Suecia Foundation.
URL:https://www.scandinaviahouse.org/event/on-the-arctic-edge-artists-explore-the-far-north/
LOCATION:NY
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UID:10002264-1674388800-1674399600@www.scandinaviahouse.org
SUMMARY:The Fantastic Art of Paper-Cutting
DESCRIPTION:Back by popular demand\, celebrated Danish paper-cutting artist Torben Jarlstrøm Clausen returns for a workshop on creating wonderful paper-cut beings! Clausen\, who has held paper-cutting workshops in Denmark\, Japan and the U.S.\, has created a magical paper-cut universe inhabited by beings previously confined inside the paper. “I can sense that the beings are in the paper\, but at the same time they are sad. After some help from the scissors\, they travel around happily in our diverse world\,” Clausen explains of his artwork. \nIn this online workshop held via Zoom\, Clausen will share his techniques and guide viewers through creating their own paper-cut magic. Participants will also explore the paper-cut artwork of renowned storyteller Hans Christian Andersen\, and hear about Clausen’s own journey to becoming a paper-cutting artist. The class will be limited to 30 participants to allow for audience interaction. \nThe class will take place as virtual instruction over Zoom; students should supply their own materials to cut alongside Clausen. Skill is beginner-level and above. \nMaterials: \n\nSharp pair of scissors\nFive pieces of any color paper sized approximately 4 x 4 inches (approximately the thickness of printer paper)\nFive pieces of any color paper sized approximately 1 x 2 inches\nAdditional paper to use as needed\n\nAbout the Instructor\nTorben Jarlstrøm Clausen started as a paper-cut artist in 2004. Since then\, he has exhibited over 110 places in the U.S.\, Japan\, and Denmark and has held numerous workshops in the same countries.Clausen lives in Odense\, Denmark\, which is the birthplace of world-famous fairytale writer Hans Christian Andersen\, who was also a very skilled paper-cut artist. Torben Jarlstrøm Clausen seeks with his paper cuts to maintain and renew this old paper cut tradition\, which Hans Christian Andersen was an exponent of almost 200 years ago. Learn more on his website\, Facebook page\, Etsy shop or follow him at @JarlstroemPaper (Twitter) and @JarlstroemPaperArt (Instagram).
URL:https://www.scandinaviahouse.org/event/the-fantastic-art-of-paper-cutting-2/
LOCATION:NY
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